"How long is a short
period of time? One year, two years, ten years?"
The question is rhetorical but still an answer to my own
question about Shi Yanzi's teaching methods. It's the sort of cryptic
answer that I would expect from a Buddhist Monk, as depicted in all
those wonderful "Shaolin Temple" movies of my youth, and in many ways
Shi Yanzi reinforces my idealised vision of these mythical Masters. A
genuine Shaolin Monk (his Master is the Temple's Abbott Shi Yongxin),
solidly built and superbly flexible, he is also quietly spoken and
enviably serene in nature, except when his underlying passion for his
art bubbles to the surface. Then his speech quickens and his tone
becomes animated as he discusses the training principles that underpin
Traditional Shaolin Kung Fu.
This brings us back to my
original question - how does he cope with the fact that we Westerners
want to see results in a short period of time? In truth, the question
should have been reversed to read how do the students cope with his
attitude to lessons, because Shi Yanzi may be courteous and caring, but
when it comes to his teaching methods there is no compromise in his
beliefs simply to pander to our Western temperament. To him, hard work
and dedication are everything, and when he clarifies his answer it
makes perfect sense - how long is a short period of time when you are
becoming skilled in something of real quality?
If you become a truly superb Shaolin Kung Fu exponent in ten years,
in reality isn't that a short period of time?
There are no short cuts in Shi Yanzi's methods and in the lessons
that Neil Genge and I were allowed to sit in on, new students were told
that the classes were hard, requiring dedication, and that he would rather
they leave than approach their training half-heartedly. This was not
arrogant rhetoric, rather the firmly held belief borne of his own experiences
in the Temple, where the disciples were always having to prove to their
Masters, through constant tests, that they were dedicated and really wanted
to learn.
Shi Yanzi talks to his students regularly throughout the classes,
to explain his reasoning, and points out that in a real fight you cannot
tell your opponent to stop because you are tired, instead you must find
the strength to continue or fail, and the way to achieve this is to work
hard, then harder still. What point is good technique if you don't have
the strength and stamina to utilise it properly, is one of his arguments
as we discuss his lessons.
With this uncompromising work ethic in mind, the classes are structured
around the fundamentals. Neil Genge took two of the three hourly sessions
that night and commented that they were based on solid Shaolin basics,
well taught. This was in keeping with Shi Yanzi's personal philosophy,
that good Kung Fu, like a solid house, is built on strong foundations.
With this in mind, students follow a carefully cultivated path of development,
they cannot just jump in and do what they consider to be the exciting
fighting techniques.
What we call a "beginners" class, Shi Yanzi lists as a "preparation"
class, developing flexibility and self confidence. Whole body stretching
is a core element within the Shaolin Temple, and confidence (as opposed
to arrogance) is a key weapon for a Shaolin fighter. Shi Yanzi believes
that the eyes are windows to the soul and can express both fear and confidence.
"When someone sees that you have no fear", he told me, "they often decide
that they don't want to fight you."
The next stage is the meditation and Qi Gong [and Rou Quan] lesson,
what we would term an intermediate level, to cultivate internal development,
and an important part of Shaolin teaching. The students meditated in the
traditional lotus position for almost fifteen minutes, which surprised Neil,
as in his relaxed state it didn't seem that long to him.
This was followed by a warm up that included "washing the face",
where the students rubbed their eyes, and "combed" their hair, as
well as rubbing their hands, exercises, Neil told me, to promote overall
health. The remainder of the lesson was devoted to a Qi Gong form, with
the students trying to move the "chi" around their body. The exercise was
controlled by Shi Yanzi, who broke the form down and told the students
when to breathe in and out during the movements, breathing control essential
to the success of the exercise. Afterwards, I asked Neil what he thought
of the class;